This week, The Sunday Morning Happinez directs its spotlight on a young and evocative children’s book illustrator, cartoonist, and portrait artist who is also a student of indigenous medicine. Meet Thithali Tharushika, who goes by the name Do Doo Arts.

What’s the story of your journey to becoming a children’s book illustrator and cartoonist?

From a young age, I’ve always had a passion for drawing and illustration. Even as a child, I spent hours doodling and sketching on any piece of paper I could find. However, I was unable to study art as a subject in school, so I became a self-taught artist. 

I spent countless hours practising and experimenting with different techniques, going through trial and error, and gradually finding my unique artistic voice. I started taking on freelance projects and creating illustrations for various purposes. 

While I may not have followed the traditional path of studying art in school, my self-taught journey has allowed me to develop a unique style and perspective that I bring to my work. I’m grateful for the opportunities I’ve had, and I’m grateful to share my creativity with young readers and audiences. I’m excited to continue growing and evolving as an artist.

What is your creative process when starting a new illustration or cartoon? How do you develop ideas and bring them to life?

My creative process begins with gathering inspiration. I let my imagination run wild. Once I have a clear idea of what I want to convey, I start sketching out rough concepts. I pay close attention to storytelling aspects such as composition, character expressions, and visual narrative. 

Whether I’m working digitally or with traditional mediums, my goal is always to bring my ideas to life with skill, creativity, and attention to detail, creating visuals that resonate with my audience, capturing the essence of the story or concept.

Who or what inspires you in your work?

One of my biggest inspirations is my dad, Gayashan Elpitiya. He is a talented artist who has had a significant influence on my artistic journey. Growing up, I was surrounded by his incredible work as a comic artist for various newspapers. His passion for art and storytelling ignited my love for illustration and cartooning. I’m grateful for the guidance and encouragement he has provided me throughout my career.

What has been your favourite project to work on as an illustrator so far?

My favourite project as an illustrator is a book centred around a sea turtle. Based on a true story, this project has touched me deeply. I’m incredibly passionate about this ongoing project as it allows me to combine my love for illustration with my love for animals. I enjoy capturing the little details of sea creatures and bringing them to life. 

My aim through this project is to instil an appreciation for the beauty and diversity of marine life in children. I hope that my illustrations will inspire them to learn more about protecting our oceans.

How do you approach Sri Lankan cultural representation in your illustrations, especially when creating content for young readers?

When illustrating for young readers, I ensure that I incorporate authentic Sri Lankan cultural elements to give my illustrations a strong sense of Sri Lankan identity. I include traditional Sri Lankan attire like the ‘osariya’ and feature iconic landmarks such as the Sri Dalada Maligawa to create a vivid connection to our rich cultural heritage. 

Additionally, I draw inspiration from Sri Lankan history and folklore, bringing to life significant historical incidents in my illustrations. These stories not only entertain but also educate young readers about our country’s fascinating history.

What are some of the challenges you face as an illustrator, particularly in the children’s book market?

As an illustrator, one of the main challenges I face, particularly in the children’s book market, is the task of truly connecting with the hearts of young readers. Therefore, I always create illustrations that speak directly to children’s hearts and capture their imagination.

Another challenge I encounter is the issue of the value placed on artwork. Creating a piece of art requires skill, effort, countless hours, and years of practice and dedication. Some clients may not fully recognise or appreciate the true worth of art. This can sometimes lead to undervaluing or underpricing of artwork.

What does your dream project look like?

My dream project would be to work on a storybook series that celebrates diverse cultures, folklore, and traditions from around Sri Lanka and the world. Collaborating with talented writers, artists, and storytellers, I see this project as an opportunity to support education and literacy efforts. 

By partnering with organisations dedicated to these causes, we can ensure that children everywhere have access to high-quality books that inspire their creativity and broaden their perspectives.

As a medical student, what is something you have learned from your studies and applied in your art and vice versa?

My true passion has always been art. Despite the demands of my academic life, I dedicate every leisure moment and free time to creating meaningful artwork. Engaging in art not only brings me relief and mindfulness but also inspires and motivates me.

Conversely, my background in art has enriched my studies in indigenous medicine. Art has taught me valuable lessons in concentration and problem-solving, skills which I apply to my academic pursuits.

PHOTOS © THITHALI THARUSHIKA